Abstract
Abstract: Featuring dead celebrities in current advertisements has become a well-known practice in contemporary advertising techniques. Marilyn Monroe sells Sunsilk, John Lennon is a spokesman for One Laptop per Child, Gene Kelly and Donald O'Connor demonstrate the roominess of a Jetta's now larger backseat. To unearth the viability of re-structuring dead celebrities into new advertisements, this article analyzes how phantasms – visual and vocal recordings – speak to the living consumer through the construction of emplotment, a main element of Paul Ricoeur's narrative theory. Particularly, Ricoeur's work on mimesis, metaphors, and memories direct this inquiry for these terms shape a phenomenological understanding of temporality and connectivity with a disembodied other. The goal of such exploration aims to link dead celebrities with the construction and transmission of persuasive messages within an advertising narrative framework.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 383-400 |
| Number of pages | 18 |
| Journal | Culture, Theory and Critique |
| Volume | 55 |
| Issue number | 3 |
| DOIs | |
| State | Published - Sep 2 2014 |
All Science Journal Classification (ASJC) codes
- Cultural Studies
- Sociology and Political Science
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