TY - JOUR
T1 - Auxiliary progressions as a source of conflict between tonal structure and phrase structure
AU - McKee, Eric
N1 - Funding Information:
The ending boundary of the first section of the outer form is supported by the articulation of a dividing dominant. At the middleground level, though, this dominant is subsumed within a larger motion from the opening tonic to the mediant via the dominant of the mediant in m. 17. Another connection arises from the upper-voice motion from G4 in the opening structural tonic to F5 of m. 19 as part of a descending fourth progression.
Copyright:
Copyright 2017 Elsevier B.V., All rights reserved.
PY - 1996
Y1 - 1996
N2 - This article presents a revisionist approach to form in tonal music from a Schenkerian perspective. Following the work of William Rothstein, form in tonal music is defined as a dynamic interaction of two hierarchical tonal structures, inner and outer forms. The first part of the article defines these structures and their interaction. The second part uses this approach to examine a particular type of dynamic interaction that occurs with the use of auxiliary progressions.
AB - This article presents a revisionist approach to form in tonal music from a Schenkerian perspective. Following the work of William Rothstein, form in tonal music is defined as a dynamic interaction of two hierarchical tonal structures, inner and outer forms. The first part of the article defines these structures and their interaction. The second part uses this approach to examine a particular type of dynamic interaction that occurs with the use of auxiliary progressions.
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U2 - 10.2307/745845
DO - 10.2307/745845
M3 - Review article
AN - SCOPUS:60949225570
SN - 0195-6167
VL - 18
SP - 51
EP - 76
JO - Music Theory Spectrum
JF - Music Theory Spectrum
IS - 1
ER -