Abstract
This article considers Cool Japan in light of catastrophe, first theoretically through a phenomenological analysis of Cool Japan and Cool Japanology, suggesting that the study of Cool Japan itself is way of uncooling the object of inquiry, itself a reaction to the apocalyptic realities of everyday life since the dawn of the modern world. The article finishes with a sociological reflection on current events through a détourner of the sekai kei genre in Summer Wars' inclusion of two sociological types in its rendition of catastrophe. This article then is intended as a preliminary step to understanding the specificity and commonalities of Japanese cool power through an understanding of the phenomenon of cool and the contents to which cool often refers.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 59-72 |
| Number of pages | 14 |
| Journal | International Journal of Japanese Sociology |
| Volume | 20 |
| Issue number | 1 |
| DOIs | |
| State | Published - Nov 2011 |
All Science Journal Classification (ASJC) codes
- Sociology and Political Science