Abstract
I explore a spontaneous community art event involving pre-teen and teen refugee girls and their embodied experiences at a local café located in a Northeastern U.S. city. Their bodily encounters involved incipient actions—drifting, knitting, and wrist-tying performances—in the creation of a new space within the space of the café. Drawing on posthumanists’ and new materialists’ works, I engage the lived body as foci of understanding, necessitating an understanding of the body as “liberating to” rather than “liberating from.” A central consideration of thing-power rather than human-power advances a framework of corporeal spatial/temporality for understanding curriculum and pedagogy. Understanding of the real, lived body informs a new direction for an art educational approach, one that offers a new materialistic agency that goes beyond the strictures of the humanist mindset. It opens up new ways of thinking about community art practice, as it organizes and reorganizes the senses.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 358-371 |
| Number of pages | 14 |
| Journal | Studies in Art Education |
| Volume | 57 |
| Issue number | 4 |
| DOIs | |
| State | Published - Oct 1 2016 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
All Science Journal Classification (ASJC) codes
- Education
- Visual Arts and Performing Arts
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