Abstract
The independent and contemporary island of Mauritius is often represented as a symbol of socio-ethnic harmony and brotherhood. However, the realities of the socio-cultural landscape do not always correspond to this idealized representation. The very idea of the Mauritian nation is generally articulated around a segmented model of multiculturalism and a definition of otherness that often results in some form of violence. Making reference to the creative works of Marie-Thérèse Humbert, Carl de Souza, Ananda Devi, and Amal Sewtohul, published between 1979 and 2012, this article demonstrates how postcolonial Mauritian literature challenges representations of exclusive ethnic identities and compartmentalized models of diversity, by articulating the transgression and deviance of inter- And transcultural situations in creolized contexts.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 7-34 |
| Number of pages | 28 |
| Journal | Lettres Romanes |
| Volume | 68 |
| Issue number | 1-2 |
| DOIs | |
| State | Published - Sep 25 2014 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 16 Peace, Justice and Strong Institutions
All Science Journal Classification (ASJC) codes
- Literature and Literary Theory
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