TY - JOUR
T1 - Deleuze, Concept Formation, and the Habit of Shorthand Inquiry
AU - Schulte, Christopher M.
N1 - Publisher Copyright:
© 2017, © The Author(s) 2017.
Copyright:
Copyright 2018 Elsevier B.V., All rights reserved.
PY - 2018/3/1
Y1 - 2018/3/1
N2 - Informed by Deleuze and Guattari’s philosophical sense of the concept, this article challenges the tendency to desire for, rationalize, and use qualitative research methodology as a day-to-day concept—a readymade habit that gets legitimized as a form of shorthand for the experience of thinking and doing methodological work. Specifically, this article purposes to (a) provide an orientation to both everyday and philosophical concepts; (b) consider the distinct usage and interplay of these conceptual practices in relation to qualitative research methodology; (c) introduce and discuss the three ages of Deleuze and Guattari’s philosophical sense of the concept (i.e., the encyclopedia, pedagogical, and commercial professional training) as a means to encounter, think, and do research methodology as a problematic form; and (d) draw on personal memory and existing research and theory, as well as the performative sculptures of Charles Garoian, as a means to activate research methodology as a conceptual practice, one that must be continually created.
AB - Informed by Deleuze and Guattari’s philosophical sense of the concept, this article challenges the tendency to desire for, rationalize, and use qualitative research methodology as a day-to-day concept—a readymade habit that gets legitimized as a form of shorthand for the experience of thinking and doing methodological work. Specifically, this article purposes to (a) provide an orientation to both everyday and philosophical concepts; (b) consider the distinct usage and interplay of these conceptual practices in relation to qualitative research methodology; (c) introduce and discuss the three ages of Deleuze and Guattari’s philosophical sense of the concept (i.e., the encyclopedia, pedagogical, and commercial professional training) as a means to encounter, think, and do research methodology as a problematic form; and (d) draw on personal memory and existing research and theory, as well as the performative sculptures of Charles Garoian, as a means to activate research methodology as a conceptual practice, one that must be continually created.
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U2 - 10.1177/1077800416684872
DO - 10.1177/1077800416684872
M3 - Article
AN - SCOPUS:85041844780
SN - 1077-8004
VL - 24
SP - 194
EP - 202
JO - Qualitative Inquiry
JF - Qualitative Inquiry
IS - 3
ER -