TY - JOUR
T1 - Femvertising and Postfeminist Discourse
T2 - Advertising to Break Menstrual Taboos in China
AU - Guo, Jingyi
AU - Zhang, Ziwei
AU - Song, Jinhong
AU - Jin, Lu
AU - Yu, Duan
AU - Liao, Sara
N1 - Funding Information:
The authors are thankful to the two anonymous reviewers for constructive comments and editor Claire Sisco King for invaluable feedback and editing.
Publisher Copyright:
© 2022 The Organization for Research on Women and Communication.
PY - 2022
Y1 - 2022
N2 - This article investigates three commercials for Libresse sanitary napkins that aired in China in the transnational brand’s marketing to counter menstrual taboos. Employing feminist critical discourse analysis (CDA), we interpret Libresse’s efforts in China as exemplary of the appropriation of femvertising, or women’s empowerment advertising. Our findings indicate that Libresse’s commercials attempted to eschew explicit menstrual stereotypes and taboos, emphasizing instead individual desires and autonomy, with an implicit heterosexist message intended to involve men in the agenda. Libresse’s femvertising strategies in China have been influenced by social and cultural factors—primarily, industry self-regulation, menstrual taboos, and the development of feminism. The commercials create a postfeminist discourse that has generated contradictory gender discourses, both liberating and constraining women in an elaborate dance that should be understood in relation to postfeminism, advertising, and global capitalism.
AB - This article investigates three commercials for Libresse sanitary napkins that aired in China in the transnational brand’s marketing to counter menstrual taboos. Employing feminist critical discourse analysis (CDA), we interpret Libresse’s efforts in China as exemplary of the appropriation of femvertising, or women’s empowerment advertising. Our findings indicate that Libresse’s commercials attempted to eschew explicit menstrual stereotypes and taboos, emphasizing instead individual desires and autonomy, with an implicit heterosexist message intended to involve men in the agenda. Libresse’s femvertising strategies in China have been influenced by social and cultural factors—primarily, industry self-regulation, menstrual taboos, and the development of feminism. The commercials create a postfeminist discourse that has generated contradictory gender discourses, both liberating and constraining women in an elaborate dance that should be understood in relation to postfeminism, advertising, and global capitalism.
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U2 - 10.1080/07491409.2022.2053624
DO - 10.1080/07491409.2022.2053624
M3 - Article
AN - SCOPUS:85131599116
SN - 0749-1409
VL - 45
SP - 378
EP - 398
JO - Women's Studies in Communication
JF - Women's Studies in Communication
IS - 3
ER -