Abstract
This article identifies poets' engagements with material problems of manual labor that a more elitist critical aesthetic had preferred to ignore. It offers readings of two of the mostly frequently anthologized poems in the modern American poetry canon: Robert Frost's "The Death of the Hired Man" and T. S. Eliot's "Preludes." Each can suggest the integral but long-neglected role that the labor problem and those who lived it-that is, the poor and working class-would play in the formation of canonical modern American poetry. Although they confront vastly different labor problems-hired laborers versus urban slums and prostitutes-both poems nevertheless wrestle with the claims such problems (and the human figures behind such problems) should make upon observers' sympathies.
| Original language | English (US) |
|---|---|
| Title of host publication | The Oxford Handbook of Modern and Contemporary American Poetry |
| Publisher | Oxford University Press |
| ISBN (Electronic) | 9780199940950 |
| ISBN (Print) | 9780195398779 |
| DOIs | |
| State | Published - Nov 21 2012 |
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This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 11 Sustainable Cities and Communities
All Science Journal Classification (ASJC) codes
- General Arts and Humanities
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