TY - JOUR
T1 - LIVE MUSIC PERFORMANCES AND THE INTERNET OF THINGS
AU - Breese, Jennifer L.
AU - Fox, Mark A.
AU - Vaidyanathan, Ganesh
N1 - Publisher Copyright:
©2020 The MITRE Corporation. ALL RIGHTS RESERVED.
PY - 2020
Y1 - 2020
N2 - While the term Internet of Things (IoT) has become commonplace in both the vernacular of technologists and consumers alike the Internet of Musical Things (IoMusT) is an emerging field that promises to expand the landscape of music technologies. The internet of things provides additional possibilities for live music performances in particular. These possibilities can potentially increase markets for live music or substitute for traditional live performances during times when audience members may be unwilling to attend traditional concerts (for example, in a pandemic). Additionally, the technology could provide more interactive experiences for concert goers, affordable attendance options to a broader audience, and provide additional income streams for performers. We provide a model of critical considerations for integrating the internet of things with live concerts. The model framework has four parts: audience/musician interactions; technology; business models; and privacy and legal considerations.
AB - While the term Internet of Things (IoT) has become commonplace in both the vernacular of technologists and consumers alike the Internet of Musical Things (IoMusT) is an emerging field that promises to expand the landscape of music technologies. The internet of things provides additional possibilities for live music performances in particular. These possibilities can potentially increase markets for live music or substitute for traditional live performances during times when audience members may be unwilling to attend traditional concerts (for example, in a pandemic). Additionally, the technology could provide more interactive experiences for concert goers, affordable attendance options to a broader audience, and provide additional income streams for performers. We provide a model of critical considerations for integrating the internet of things with live concerts. The model framework has four parts: audience/musician interactions; technology; business models; and privacy and legal considerations.
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U2 - 10.48009/3_iis_2020_179-188
DO - 10.48009/3_iis_2020_179-188
M3 - Article
AN - SCOPUS:85109132088
SN - 1529-7314
VL - 21
SP - 179
EP - 188
JO - Issues in Information Systems
JF - Issues in Information Systems
IS - 3
ER -