TY - JOUR
T1 - Melodramatic tactics for survival in the neoliberal era
T2 - Excess and justice in the Heirs and My Love from the Star
AU - Yi, We Jung
N1 - Publisher Copyright:
© 2018 by the Trustees of Columbia University in the City of New York.
PY - 2018/3/1
Y1 - 2018/3/1
N2 - This article examines two 2013 TV miniseries, The Heirs and My Love from the Star, by relating their melodramatic aesthetics to the survivalist imperative under neoliberal governance. From the colonial sinp'a theater to Golden Age films, melodrama has operated as a popular mode of imagination that expresses inarticulate experiences generated over the course of Korea's modernization. To extend and complicate existing scholarship on modern melodrama, this study approaches recent K-dramas' melodramatic modes as both an affective response to and an everyday tactic for coping with failing economic democracy in contemporary Korea. In this light, the intensifying fantastic elements of the genre are deemed not so much anachronistic as tactical, as they are deployed to reclaim the justice and equality that are felt to be hopelessly disappearing in daily lives. As I look at their excessive aesthetics within the context of diminishing social mobility in the neoliberal era, my analysis of the two miniseries further notes the gendered structure of these melodramatic fantasies in which the survival of women, who have fewer privileges, is achieved through the reform of male elites.
AB - This article examines two 2013 TV miniseries, The Heirs and My Love from the Star, by relating their melodramatic aesthetics to the survivalist imperative under neoliberal governance. From the colonial sinp'a theater to Golden Age films, melodrama has operated as a popular mode of imagination that expresses inarticulate experiences generated over the course of Korea's modernization. To extend and complicate existing scholarship on modern melodrama, this study approaches recent K-dramas' melodramatic modes as both an affective response to and an everyday tactic for coping with failing economic democracy in contemporary Korea. In this light, the intensifying fantastic elements of the genre are deemed not so much anachronistic as tactical, as they are deployed to reclaim the justice and equality that are felt to be hopelessly disappearing in daily lives. As I look at their excessive aesthetics within the context of diminishing social mobility in the neoliberal era, my analysis of the two miniseries further notes the gendered structure of these melodramatic fantasies in which the survival of women, who have fewer privileges, is achieved through the reform of male elites.
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U2 - 10.1215/21581665-4339098
DO - 10.1215/21581665-4339098
M3 - Review article
AN - SCOPUS:85049106461
SN - 0731-1613
VL - 23
SP - 153
EP - 173
JO - Journal of Korean Studies
JF - Journal of Korean Studies
IS - 1
ER -