Abstract
The author of this essay activates Bronwyn Davies's conceptualization of listening as usual and listening emergently, along with Deleuze's imaginary for ontology, as a means to enter into composition with children's being and becoming in drawing. In doing so, the author argues for a concept and practice of listening that resonates with the entangled and complicated existence it has in our lives, an existence that is, like drawing, a truly precarious and teetering materiality.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 141-150 |
| Number of pages | 10 |
| Journal | Cultural Studies - Critical Methodologies |
| Volume | 16 |
| Issue number | 2 |
| DOIs | |
| State | Published - Apr 2016 |
All Science Journal Classification (ASJC) codes
- Cultural Studies
- Arts and Humanities (miscellaneous)