TY - JOUR
T1 - Purification and translation in public memory
T2 - “Healing the landscape” at the Flight 93 National Memorial
AU - White, William J.
AU - Emili, Lisa A.
N1 - Funding Information:
The authors would like to thank Joseph Pizarchik, formerly of the U.S. Department of the Interior Office of Surface Mining Reclamation and Enforcement, for his assistance.
Publisher Copyright:
© 2018 Elsevier Ltd
Copyright:
Copyright 2018 Elsevier B.V., All rights reserved.
PY - 2018/11
Y1 - 2018/11
N2 - In order to investigate the role of the material in public memory, this paper examines the National Park Service's General Management Plan/Environmental Impact Statement (GMP/EIS) for the creation of the Flight 93 Memorial in Shanksville, PA, the location of one of the 9/11 sites where passengers and crew aboard an airliner were killed when it crashed into a legacy coal mining site in southwestern Pennsylvania. The analysis uses a discourse analytic approach to treat the GMP/EIS as a textual artifact reflecting the discursive work of purification and translation in public memory necessary in order to sustain the distinction between the sacred and profane. We draw upon actor-network theory (ANT) to devise a rhetorical-analytic method capable of examining the dialectical qualities within the work of memorialization. Our analysis has implications for environmental discourses and other places at the intersection of science, collective memory, and the public sphere, as the articulation of the sacred and the profane within the document opens up a space for the political as the coordination of disparate elements within a larger whole.
AB - In order to investigate the role of the material in public memory, this paper examines the National Park Service's General Management Plan/Environmental Impact Statement (GMP/EIS) for the creation of the Flight 93 Memorial in Shanksville, PA, the location of one of the 9/11 sites where passengers and crew aboard an airliner were killed when it crashed into a legacy coal mining site in southwestern Pennsylvania. The analysis uses a discourse analytic approach to treat the GMP/EIS as a textual artifact reflecting the discursive work of purification and translation in public memory necessary in order to sustain the distinction between the sacred and profane. We draw upon actor-network theory (ANT) to devise a rhetorical-analytic method capable of examining the dialectical qualities within the work of memorialization. Our analysis has implications for environmental discourses and other places at the intersection of science, collective memory, and the public sphere, as the articulation of the sacred and the profane within the document opens up a space for the political as the coordination of disparate elements within a larger whole.
UR - http://www.scopus.com/inward/record.url?scp=85052631387&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85052631387&partnerID=8YFLogxK
U2 - 10.1016/j.emospa.2018.08.001
DO - 10.1016/j.emospa.2018.08.001
M3 - Article
AN - SCOPUS:85052631387
SN - 1755-4586
VL - 29
SP - 32
EP - 47
JO - Emotion, Space and Society
JF - Emotion, Space and Society
ER -