TY - JOUR
T1 - Queer skin, straight masks
T2 - Same-sex weddings and the discursive construction of identities and affects on a South African website
AU - Milani, Tommaso M.
AU - Wolff, Brandon
N1 - Publisher Copyright:
© 2015 © Critical Arts Projects & Unisa Press.
PY - 2015/3/4
Y1 - 2015/3/4
N2 - This article showcases an exploratory study of the website of a Cape Town-based company specialising in arranging same-sex weddings. Informed by queer theory, the article deconstructs the discursive strategies - both linguistic and visual - through which same-sex weddings, and the affects attached to them, are represented on the website. Essentially the argument is that the identitarian and affective constructions on this website are not so radically anti-normative, but are a homo version of a well-established heterosexual normality. Same-sex couples who make the choice to get married are portrayed as the epitome of a responsible lifestyle, whereas those who do not are constructed by implication/omission as immoral and irresponsible. Moreover, the queer skin under the otherwise straight masks remains predominantly white. On a more theoretical level, the article argues for an affective turn in the study of consumerism, culture and media in South Africa in order to appreciate how some emotions (but not others) are attached to social class, race, gender and sexuality for marketing purposes.
AB - This article showcases an exploratory study of the website of a Cape Town-based company specialising in arranging same-sex weddings. Informed by queer theory, the article deconstructs the discursive strategies - both linguistic and visual - through which same-sex weddings, and the affects attached to them, are represented on the website. Essentially the argument is that the identitarian and affective constructions on this website are not so radically anti-normative, but are a homo version of a well-established heterosexual normality. Same-sex couples who make the choice to get married are portrayed as the epitome of a responsible lifestyle, whereas those who do not are constructed by implication/omission as immoral and irresponsible. Moreover, the queer skin under the otherwise straight masks remains predominantly white. On a more theoretical level, the article argues for an affective turn in the study of consumerism, culture and media in South Africa in order to appreciate how some emotions (but not others) are attached to social class, race, gender and sexuality for marketing purposes.
UR - http://www.scopus.com/inward/record.url?scp=84929304038&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84929304038&partnerID=8YFLogxK
U2 - 10.1080/02560046.2015.1039203
DO - 10.1080/02560046.2015.1039203
M3 - Article
AN - SCOPUS:84929304038
SN - 0256-0046
VL - 29
SP - 165
EP - 182
JO - Critical Arts
JF - Critical Arts
IS - 2
ER -