Abstract
This autoethnographic essay explores the representation of one of the heroines in the old-fashioned western melodrama Deadwood Dick. Through an examination of the author's experience performing the role of one of the heroines in a local community theatre production, this essay reflects on the way heroines are portrayed in western melodramas. It is observed that the audience plays a major role in the interpretation of the performance, thus allowing for the western melodrama to evolve and adapt to the twenty-first century.
Original language | English (US) |
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Pages (from-to) | 506-508 |
Number of pages | 3 |
Journal | Cultural Studies - Critical Methodologies |
Volume | 12 |
Issue number | 6 |
DOIs | |
State | Published - Dec 2012 |
All Science Journal Classification (ASJC) codes
- Cultural Studies
- Arts and Humanities (miscellaneous)