TY - GEN
T1 - Spatialization pipeline for digital audio workstations with three spatialization techniques
AU - Upthegrove, Tanner
AU - Nichols, Charles
AU - Roan, Michael
N1 - Publisher Copyright:
© (2018) by the Audio Engineering Society All rights reserved.
PY - 2018
Y1 - 2018
N2 - As more artists find utility in spatial audio for producing live and recorded music, new tools are needed to meet the aesthetic goals of each artist. This paper proposes a method for controlling and mixing point-source spatial audio with the familiar interface of Cockos Reaper, a digital audio workstation (DAW), which controls a Cycling '74 Max Patch rendering Vector Base Amplitude Panning (VBAP), High Order Ambisonics (HOA), and 3-D convolution reverberation mixing busses. The Max patch allows mixes in Reaper to translate to any arbitrary loudspeaker array by modification of the quantity and location of loudspeakers.
AB - As more artists find utility in spatial audio for producing live and recorded music, new tools are needed to meet the aesthetic goals of each artist. This paper proposes a method for controlling and mixing point-source spatial audio with the familiar interface of Cockos Reaper, a digital audio workstation (DAW), which controls a Cycling '74 Max Patch rendering Vector Base Amplitude Panning (VBAP), High Order Ambisonics (HOA), and 3-D convolution reverberation mixing busses. The Max patch allows mixes in Reaper to translate to any arbitrary loudspeaker array by modification of the quantity and location of loudspeakers.
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M3 - Conference contribution
AN - SCOPUS:85060785018
T3 - Proceedings of the AES International Conference
SP - 232
EP - 237
BT - AES International Conference on Spatial Reproduction 2018
PB - Audio Engineering Society
T2 - AES International Conference on Spatial Reproduction 2018: Aesthetics and Science
Y2 - 7 August 2018 through 9 August 2018
ER -