TY - JOUR
T1 - Visual "Drive" and Cinematic Narrative
T2 - Reading gaze theory in Lacan, Hitchcock, and Mulvey
AU - Manlove, Clifford T.
PY - 2007
Y1 - 2007
N2 - This essay reconsiders the psychoanalytic theory derived from Sigmund Freud and Jacques Lacan that Laura Mulvey uses to support her theory of the gaze in the 1975 essay "Visual Pleasure and Narrative Cinema." "Visual 'Drive' and Cinematic Narrative," also reconsiders and rereads the three Alfred Hitchcock films Mulvey uses to prove her theory of the patriarchal gaze: Vertigo, Rear Window, and Marnie.
AB - This essay reconsiders the psychoanalytic theory derived from Sigmund Freud and Jacques Lacan that Laura Mulvey uses to support her theory of the gaze in the 1975 essay "Visual Pleasure and Narrative Cinema." "Visual 'Drive' and Cinematic Narrative," also reconsiders and rereads the three Alfred Hitchcock films Mulvey uses to prove her theory of the patriarchal gaze: Vertigo, Rear Window, and Marnie.
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UR - http://www.scopus.com/inward/citedby.url?scp=61349123919&partnerID=8YFLogxK
U2 - 10.1353/cj.2007.0025
DO - 10.1353/cj.2007.0025
M3 - Review article
AN - SCOPUS:61349123919
SN - 0009-7101
VL - 46
SP - 83
EP - 108
JO - Cinema Journal
JF - Cinema Journal
IS - 3
ER -